April 1

Submitted by Lisbeth C. Evans, Winston-Salem, NC
Secretary, North Carolina Department of Cultural Resources

Joyce Kilmer (1886-1918)

Trees
        (For Mrs. Henry Mills Alden)

I think that I shall never see
A poem lovely as a tree.
A tree whose hungry mouth is prest
Against the earth's sweet flowing breast;
A tree that looks at God all day,
And lifts her leafy arms to pray;
A tree that may in Summer wear
A nest of robins in her hair;
Upon whose bosom snow has lain;
Who intimately lives with rain.
Poems are made by fools like me,
But only God can make a tree.

Cultural Resources Secretary Libba Evans remembers being told by her grandfather as a young girl that he would give her a quarter if she memorized a poem. He loved trees, so it was only natural that she memorized the famous Joyce Kilmer work.

Submitted by Ted Kooser: Garland, Nebraska
United States Poet Laureate

Walter de la Mare (1873-1953)

The Listeners

"Is anybody there?" said the Traveler,
      Knocking on the moonlit door;
And his horse in the silence chomped the grasses
      Of the forest's ferny floor.
And a bird flew up out of the turret,
      Above the traveler's head:
And he smote upon the door a second time;
      "Is there anybody there?" he said.
But no one descended to the Traveler;
      No head from the leaf-fringed sill
Leaned over and looked into his gray eyes,
      Where he stood perplexed and still.
But only a host of phantom listeners
      That dwelt in the lone house then
Stood listening in the quiet of the moonlight
      To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair
      That goes down to the empty hall,
Hearkening in an air stirred and shaken
      By the lonely Traveler's call.
And he felt in his heart their strangeness,
      Their stillness answering his cry,
While his horse moved, cropping the dark turf,
      'Neath the starred and leafy sky;
For he suddenly smote the door, even
      Louder, and lifted his head: --
"Tell them I came, and no one answered,
      That I kept my word," he said.
Never the least stir made the listeners,
      Though every word he spake
Fell echoing through the shadowiness of the still house
      From the one man left awake:
Aye, they heard his foot upon the stirrup,
      And the sound of iron on stone,
And how the silence surged softly backward,
      When the plunging hoofs were gone.


April 2

Submitted by Kathryn Stripling Byer: Cullowhee, NC
North Carolina Poet Laureate

John Keats (1795-1821)

Ode to Autumn

Season of mists and mellow fruitfulness!
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;
To bend with apples the mossed cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'erbrimmed their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reaped furrow sound asleep,
Drowsed with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers;
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too, -
While barred clouds bloom the soft-dying day
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing, and now with treble soft
The redbreast whistles from a garden-croft;
And gathering swallows twitter in the skies.

Submitted by James Byer, Cullowhee, NC
Professor Emeritus, Western Carolina University English Department

Louis Macneice (1907-1963)

The Sunlight on the Garden

The sunlight on the garden
Hardens and grows cold,
We cannot cage the minute
Within its nets of gold;
When all is told
We cannot beg for pardon.

Our freedom as free lances
Advances towards its end;
The earth compels, upon it
Sonnets and birds descend;
And soon, my friend,
We shall have no time for dances.

The sky was good for flying
Defying the church bells
And every evil iron
Siren and what it tells:
The earth compels,
We are dying, Egypt, dying

And not expecting pardon,
Hardened in heart anew,
But glad to have sat under
Thunder and rain with you,
And grateful too
For sunlight on the garden.


April 3

Submitted by Fred Chappell, Greensboro, NC
North Carolina Poet Laureate 1997-2002

William Shakespeare (1564-1616)

Sonnet 94
"They that have power to hurt and will do none"

They that have power to hurt and will do none
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmoved, cold, and to temptation slow;
They rightly do inherit heaven's graces,
And husband nature's riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer's flower is to the summer sweet,
Though to itself it only live and die,
But if that flower with base infection meet,
The basest weed outbraves his dignity:
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.


April 4

Submitted by Harlan Gradin, Durham, NC
Associate Director, North Carolina Humanities Council

Megan M. Jones (1977 - )

Untitled

To make modern
the ancient
of histories and cultures
feeling the rhythms
echo through our minds and souls
and move to it
maybe embracing curiosity, wonder
defiantly embracing reverence

 

This poem appears with the author's permission.


April 5

The Basketball Poets and Marty Mentzer

Marty Mentzer and The Basketball Poets

Submitted by Marty Mentzer, Supply, NC
Physical Education Teacher*

Edgar Allan Poe (1809-1849)

El Dorado

Gaily bedight,
A gallant knight,
In sunshine and in shadow,
Had journeyed long,
Singing a song,
In search of Eldorado.

But he grew old-
This knight so bold-
And o'er his heart a shadow
Fell as he found
No spot of ground
That looked like Eldorado.

And, as his strength
Failed him at length,
He met a pilgrim shadow-
"Shadow," said he,
"Where can it be-
This land of Eldorado?"

"Over the Mountains
Of the Moon,
Down the Valley of the Shadow,
Ride, boldly ride,"
The shade replied-
"If you seek for Eldorado!"

 


Submitted by "The Basketball Poets," Supply, NC
Fourth- and fifth-grade students, performers, and basketball players at Supply Elementary School

William Blake (1757-1827)

The Tyger

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?

And what shoulder, & what art.
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

* "Basketball Poets" is the brainchild of Mrs. Marty Mentzer, who teaches physical education at Supply Elementary School in Supply, NC. When she was asked to tutor students at the school five years ago, she introduced poetry to the children with the book Love That Dog, by Newberry Award-winner Sharon Creech. Since then, Basketball Poets has developed into a club in which membership is earned and highly prized. For admission students must write their own poems and give them to the teacher on the first day of school. The first 25 are accepted. The fourth- and fifth-grade sections of Basketball Poets meet separately, once a week for 40 minutes. The sections come together for performances, in which they present their own poems and work by others. In addition to the title poem of the book the club began with -- "Love That Dog" -- the current repertoire includes "Stopping by Woods on a Snowy Evening" and "The Pasture," by Robert Frost, "Love That Boy," by William Dean Myers, "The Red Wheelbarrow," by William Carlos Williams, and the two poems presented here. The students' favorite poem is "The Tyger." Mrs. Mentzer's is "El Dorado."

Mrs. Mentzer writes: "Both of these poems lend themselves to movement in their performance -- and that is how we 'do' poetry. We perform it in the manner of the Poetry Alive! troupe directed by Bob Falls out of Asheville, NC. We recite poetry in choral reading style and add movements that we develop together." (Information about Poetry Alive! is available in the Council's Touring Artist Directory)

The Basketball Poets won a $5,000 Innovation Grant from the National Education Association in 2004 and a $1,000 Bright Ideas Grant in 2005. The national student magazine Weekly Reader featured the group last April. According to Mrs. Mentzer, besides being wonderful poets and performers, the club members "are also awesome basketball players."

This year's Basketball Poets are:

4th grade

Deanna Arnold
Hannah Brown
Princess Bryant
Yasheka Bryant
Joanna Burks
Kimberly Crawford
Miranda Fleming
Meg Fletcher
Jyquan Green
Zarie Hankins
Danteja Harrison
Hunter Hewett
Darius Hill
Erick Hill
Caroline Kimble
Jacob King
Angie Melgar Lazo
Amari Mcgarrah
Cortney McNeil
Austen Martin
Nick Massey
Jimmy Merriman
Chris Moore
Tonya Myers
Becky Ponds
Byron Prevoe
Brianna Robinson
Jalen Small
Rene Strickland
Emily Tate
Alexandra Wilkins
Jordan Williams

 

5th grade

Drue Beasley
Brandon Bowser
Christian Carlisle
Cedric Daniels
Kobi Etheridge
Diamanta Freeman
Ashley Fry
Jeremiah Gillen
Shireen Johnson
A.J. Jones
Tyler Kinlaw
Ivan Luna
Taylor Maggard
Devin Medford
Scottie Melvin
Tyler Nance
Tyshauna Palmer
James Prince
Krystal Schultz
Lamont Watson
Rakwon Williams
Richard Wisnowski
Jonathan Velez


April 6

Submitted by Sabrina Jeffries, Raleigh, NC
Novelist

Alfred Noyes (1880-1958)

The Highwayman

PART ONE

I

The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding --
                Riding -- riding --
The highwayman came riding, up to the old inn-door.

II

He'd a French cocked-hat on his forehead, a bunch of lace at hischin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
                His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

III

Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shuters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
                Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

IV

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,
                The landlord's red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say --

V

"One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
                Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

VI

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
                (Oh, sweet, black waves in the moonlight!)
Then he tugged at his rein in the moonliglt, and galloped away to the West.

PART TWO

I

He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching --
                Marching -- marching --
King George's men came matching, up to the old inn-door.

II

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
                And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

III

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"Now, keep good watch!" and they kissed her.
She heard the dead man say --
Look for me by moonlight;
                Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!

IV

She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
                Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

V

The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
                Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain .

VI

Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
                Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!

VII

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
                Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him -- with her death.

VIII

He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord's daughter,
                The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

IX

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
                Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

* * * * * *

X

And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding --
                Riding -- riding --
A highwayman comes riding, up to the old inn-door.

XI

Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
                Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.


April 7

Submitted by Bobby Kadis, Raleigh, NC
Board Chair, North Carolina Arts Council; Potter

William Wordsworth (1770-1850)

The World Is Too Much With Us

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
The Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not.--Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.


April 8

Submitted by Bob Dumas, Raleigh, NC
G105 Morning Crew, Bob & the Showgram

Note to web site visitors: If you can identify the author, please contact us so we may give credit.

"Life is not a journey to the grave with intentions of arriving safely in a pretty well-preserved body, but rather to skid in broadside, thoroughly used up, totally worn out and loudly proclaiming . . . WOW! What a ride!"


Submitted by Amy Bristle, Raleigh, NC
G105 Morning Crew, Bob & the Showgram

e.e. cummings (1894-1962)

i carry your heart with me

i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart (i carry it in my heart)


Submitted by Mike Morse, Raleigh, NC
G105 Morning Crew, Bob & the Showgram

Edgar Allan Poe (1809-1849)

Annabel Lee

It was many and many a year ago,
    In a kingdom by the sea,
That a maiden there lived whom you may know
    By the name of Annabel Lee;
And this maiden she lived with no other thought
    Than to love and be loved by me.

I was a child and she was a child,
    In this kingdom by the sea,
But we loved with a love that was more than love,
    I and my Annabel Lee;
With a love that the wingèd seraphs of heaven
    Coveted her and me.

And this was the reason that, long ago,
    In this kingdom by the sea,
A wind blew out of a cloud, chilling
    My beautiful Annabel Lee;
So that her highborn kinsmen came
    And bore her away from me,
To shut her up in a sepulchre
    In this kingdom by the sea.

The angels, not half so happy in heaven,
    Went envying her and me;
Yes! that was the reason (as all men know,
    In this kingdom by the sea)
That the wind came out of the cloud by night,
    Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
    Of those who were older than we,
Of many far wiser than we;
    And neither the angels in heaven above,
Nor the demons down under the sea,
    Can ever dissever my soul from the soul
Of the beautiful Annabel Lee:

For the moon never beams, without bringing me dreams
    Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
    Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
    Of my darling -- my darling -- my life and my bride,
In her sepulchre there by the sea,
    In her tomb by the sounding sea.


April 9

Submitted by Roy Williams, Chapel Hill, NC
Head Coach, UNC Men's Basketball Team

(Also submitted by Mike Morse of G105)

Rudyard Kipling (1865-1936)

IF

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or, being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream - and not make dreams your master,
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it all on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on";

If you can talk with crowds and keep your virtue,
Or walk with kings - nor lose the common touch,
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run -
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!


Submitted by Gale Sensenig, New Bern, NC
Math/Science Teacher

Veronica A. Shoffstall (1952 - )

After a While

After a while you learn the subtle difference between
          holding a hand and chaining a soul,
And you learn that love doesn't mean leaning and
          company doesn't always mean security,
And you begin to learn that kisses aren't contracts
          and presents aren't promises,
And you begin to accept your defeat with your head
          up and your eyes open, with the grace of an adult,
          not the grief of a child,
And you learn to build all your roads on today
          because tomorrow's ground is too uncertain for
          plans and futures have a way of falling down in mid-flight.
After a while you learn that even sunshine burns if
          you get too much.
So you plant your own garden and decorate your own
          soul, instead of waiting for someone to bring you
          flowers.
And you learn that you really can endure
          that you really are strong
          and you really do have worth.
And you learn and you learn
          with every goodbye you learn

©1971 Veronica A. Shoffstall

This poem was printed with the author's permission. Veronica A. Shoffstall was born in New York on September 24, 1952. She is a member of the Baha'i Faith, which teaches that all humanity are members of one race and children of one God. She lives and works in New York City.


Submitted by David Elliott, Raleigh, NC
Assistant U. S. Attorney General and founder of Early Angels with wife, Kim

Marianne Williamson (1952 - )

Our Deepest Fear

Our deepest fear is not that we